Notes Mediageek, via the documentary’s distributor, B-Side Films. B-Side’s website is currently undergoing a major overhaul/redesign which may impact access, which will not be free. Back when Pirate Radio USA was in post-production Paul did an excellent extended interview with its producers that gives the film some extra context. Continue reading “Pirate Radio USA Available Online”
A unique chance to see the two newest documentaries on U.S. microradio and LPFM, both will be shown this weekend at the 2006 Anti-Corporate Film Festival in San Francisco.
Pirate Radio USA is the last film on opening night, while Making Waves will be shown on Saturday afternoon. Waves producer Michael Lahey will be on hand for a Q-and-A afterward, tag-teaming with San Francisco Liberation Radio‘s Karoline Hatch.
Both films cover microradio from very different perspectives, so if you can catch both I’d highly recommend doing so.
A confluence of busyness this semester has swept aside my site-update time. I’m almost caught up with the major stuff, though the regularity of updates will remain slow for the foreseeable future, and more general site-maintenance is on hiatus. Which is funny, because back when this site actually paid for itself, I only updated it about once a week, though it was a lot smaller lo those nearly ten years ago.
That being said, here’s a highlight of things that are now up to speed: Continue reading “News Potpourri”
The latest feature-length film on the U.S. microradio movement got good reviews at the Bermuda International Film Festival, which called Pirate Radio USA “a fun, clever documentary that challenges the belief that Americans have freedom of speech.” One review called it “wicked funny“; another made a positive comparison to Pump Up the Volume. Large Bloody Marys were also consumed, a near-guarantee of fun for all involved. Continue reading “Pirate Radio USA Premieres”
Paul the Mediageek interviewed the producers of the still-forthcoming documentary Pirate Radio USA, Jeff Pearson and Mary Jones (aka DJs “Him” and “Her”), for his latest radioshow. That, and a podcast-only supplement, finally reveal details about what to look forward to.
The film runs 82 minutes (whittled from 115). It’s the first feature-length piece for Cannonball Productions: they warmed up on a couple of shorts and long runs on public access television. Continue reading “Pirate Radio USA Producers Speak”
The Globe Cafe in Seattle tomorrow night should be a fun place to be. There, Ron Sakolsky, the first historian of microradio, will be speaking about his new book, Creating Anarchy. Joining him will be the creators of a new documentary about microradio, called Pirate Radio USA. They’ve been quite tight-lipped about the production itself, although it is finally finished and apparently in submission to several festivals, public trailer still forthcoming.
The feature length film is currently in the touch-up phase with most elements locked into place. The producer tells me a trailer will be available most likely by next month, with the project itself to wrap by the end of February. Then the festival-submission process begins – one of the first copies will go to Cannes (cross your fingers). The soundtrack will include several properly thematic songs, including a few that have been featured as ear candy here.
Looks like 2004 will be a fruitful year, if you’re a fan of the micro-niche that is documentaries about microradio. I’ve heard from the producers of the tentatively-titled “Pirate Radio USA,” a feature-length doc made by microbroadcasters about the movement. No release date yet, just that something’s almost done.
There’s also new developments in Colorado: “Denver Free Radio” spent a grand total of five hours on the air before its latest airchain host got a visit from the FCC. “A white Chevy Tahoe,” with New Mexico plates, “with hidden antennas built into the roof” containing a squad of three rolled up. Denied an inspection, they phoned the property three times before tacking a note to the door. Mouse’s move…