Another LPFM station has taken the plunge into the HD Radio space: introducing KVCB-LP, run by the Vacaville (CA) Christian Schools. KVCB is the second LPFM station to be authorized by the FCC to broadcast in HD – the first was WGVV-LP in Rock Island, Illinois, which received FCC authorization for digital broadcasting last decade, though it’s unclear if the station ever deployed it.
KVCB-LP was the brainchild of music teacher and genuine prodigy Ralph Martin, who’s long had the radio-bug: in 1997 he built a network of Part 15 AM transmitters for the students to use, and when the LPFM service was initially authorized in 2000, Martin made all the necessary plans to apply for a license.
Congressional meddling into LPFM – namely, tightening the interference-protection standards on these small stations – meant that Vacaville went from having potential channels available to having none. But Martin bided his time, and when Congress undid many of the restrictions on LPFM earlier this decade and the FCC opened another application-filing window, he was ready. Construction permit in hand, the station went on the air, initially analog-only, in 2014. Continue reading “LPFM + HD Radio = 💰🔥”
It’s been a busy academic year, and we’re only two months in! Here are some things going on in my professional life that might be of interest to you: Radio’s Digital Dilemma will be released in paperback next year, somewhere in the January/February timeframe. This came as a pleasant surprise, and signifies that Routledge thinks there’s a larger readership beyond the few hundred that can afford the exorbitantly-priced hardcover. RDD will be available via Routledge Paperbacks Direct, a publish-on-demand system which absolves the need for bulk print-runs. Continue reading “Professional Miscellany”
When FCC Commisioner Mike O’Rielly spoke last week to the summer conference of the New York State Broadcasters Assocaiation, he made pirate radio the lead-off topic, sending a clear signal that the Commission is responding to recent Congressional pressure and industry lobbying on the issue. How that response will manifest itself is yet to be determined, but any viable effort will have to involve thinking outside the box about how to be better spectrum-cops.
“Far from being cute, insignificant, or even somehow useful in the broadcasting ecosystem,” said O’Rielly, “pirate radio represents a criminal attack on the integrity of our airwaves, at a time when spectrum has become more scarce and precious than ever before.” He compared unlicensed broadcasters to “poison ivy in a neglected garden” and estimated that nearly one-quarter of all pirates in the country reside in the New York area (data, please!). Continue reading “O'Rielly Encourages War on Pirates”
The annual NAB Show in Las Vegas is now behind us, and with it a bevy of announcements regarding HD Radio, the U.S. digital radio standard:
1. More test-results were announced regarding the workings of all-digital AM-HD Radio. Not many details: additional stations have conducted field-tests, and while the digital signal does sound better than the analog and hybrid analog/digital ones, it’s not as robust as hoped, leading many in Vegas to believe that, if the FCC does authorize the use of all-digital AM-HD this year, it’ll be for the daytime only. Continue reading “Comparing Progress: HD Radio vs. DAB/DAB+”
There’s been a slew of news about HD Radio uptake, but as usual, not a lot of meat on the bones. Rather, it’s the continuation of a yearly practice of demonstrating signs of life. These are designed not so much for the radio industry or listening public as much as they are for investors waiting to see a return for subsidizing the system’s development and promotion. 15 years on from the founding of iBiquity Digital Corporation, they’re still waiting.
The most notable announcement is the (re)launch of an advertising camapaign to agitate listener interest in radio-via-smartphones. It’s based primarily around NextRadio, the Emmis-developed FM receiver application available on select Android devices. Until last month, the “Free Radio on My Phone” campaign generally advocated the benefits of having an FM chip enabled on mobile devices, but the new iteration directly promotes NextRadio itself, according to the campaign materials available online. Continue reading “Still Waiting for the HD Payday”
Last week I had the honor of being Radio Survivor‘s inaugural guest on their first Google Hangout. Radio Survivor’s Paul Riismandel and I have known each other for more than a decade; I was a frequent guest on his Mediageek radio show, so in many respects for me it was like traveling back in time to simpler days.
My pal Paul Riismandel over at Radio Survivor recently wrote about a new pirate radio-based mockumentary that’s airing on the BBC. People Just Do Nothing profiles the principals behind “Kurupt FM,” a fictitious Garage-format pirate station in the London area. People Just Do Nothing found its roots in (and lampoons) another pirate radio documentary, Tower Block Dreams. Aired in 2004 on BBC Three, this flick profiled the booming pirate scene in the London area, with special attention on how pirate radio stations helped disenfranchised youth do something more creative with their lives than “thieving and grass dealing.” People Just Do Nothing‘s main characters, MC Sniper and DJ Beats, are spot-on caricatures of the folks found in Tower Block Dreams. Relatively accurate with regard to the conditions under which pirate radio stations operate, the funny comes when you realize that Sniper and Beats have no real idea what the f*ck they’re doing. It’s a send-up that really drives home the differences between the U.K. and U.S. pirate scenes. Continue reading “Documentaries Give Props to Pirate Radio”
There’s a running debate taking place between the collaborative blog Radio Survivor and the industry trade newspaper Radio World about the “merits” of pirate radio. You’d think, after 20+ years of organized unlicensed broadcasting (and the resultant creation of an LPFM service), that this argument would have been settled long ago.
It all began in July with a tongue-in-cheek piece penned by Matthew Lasar. In mockery of a National Association of Broadcasters “analysis” which attempted to (inflatedly) quantify the importance of the radio industry to the national economy, Lasar conducted a “guesstimate study” which suggested that pirate radio generates some $576 million annually in jobs and services.
Radio World editor Paul McLane took Lasar’s piece a bit too seriously and filed commentary asserting the premise that any positive implication of pirate radio – economic or otherwise – was simply illegitimate. Continue reading “Pirate Radio: A Natural Part of the Airwaves Since 1912”