A judge in Delaware’s federal District Court has put the brakes on a patent troll’s carpetbombing of the radio industry. For those just tuning in, some ambiguous firms in Delaware acquired some old AT&T patents that vaguely describe digital data transmission. Armed with these, the firms filed a slew of lawsuits in 2013 against broadcasters who’ve deployed HD Radio technology, claiminng that the system infringes on their intellectual property.
iBiquity Digital Corporation, HD’s proprietor, filed a counterclaim last year seeking the dismissal of the trolls’ crusade and the voiding of its patent claims. If the trolls want to bilk anybody, iBiquity is the logical target, as it controls all of its intellectual property with a firm hand. Furthermore, the station’s license agreement with broadcasters indemnifies stations against such claims. Continue reading “Patent Troll Suffers Setback in HD Lawsuits”
Having lived here for a couple of years now, it’s true that New York City is a melting pot of culture like few other places. Sure, there’s Manhattan, from where the most nationally-recognizable symbols of the city’s culture emanate, but each borough’s got its own flavor, with distinctive neighborhoods and narratives.
This is very true for the radio dial. And of the five boroughs, nobody’s airwaves are more active than Brooklyn. Last year, I conducted a bandscan of receivable FM stations from my location on the Midwood/Flatbush border and picked up some 30 pirates; now it’s a new year and the FM dial remains alive with them. Somebody’s even established a Twitter feed that tracks (and samples) what’s on the air here. By and large, every frequency from 87.7 to 107.9 has something on it, and where I live there’s a one-in-three chance that it’s unlicensed. You can find everything from Afro-Carribean talk and music to Orthodox Jewish teachings and Hebrew music. There’s also stations devoted to the more mundane, like dance music, gospel, and death metal. Many are commercial, in mom-and-pop fashion. The languages are multivariate, but it’s all live and local, and despite its rough edges this FM dial is vibrant like nowhere else (save London, perhaps). Continue reading “NYC Pirates Need a Needle Exchange”
In its latest quarterly filing to the Securities and Exchange Commission, Emmis Communications, the Indianapolis-based broadcast conglomerate who developed the NextRadio/TagStation suite and is a major player in HD Radio, had some interesting things to say about both technologies.
Back in 2013, Emmis inked a deal with Sprint in which broadcasters would pay $15 million a year to Sprint through 2016, in quarterly installments, in exchange for Sprint adding FM receiver chips to some 30 million devices on its network. Emmis has been working with other broadcasters to help shoulder the burden of this deal, but it would seem that industry enthusiasm for the project is coming up a bit short. Specifically (p. 30): Continue reading “Broadcasters to SEC: Digital A Variable Priority”
This begins HD Radio’s 13th year as the de facto U.S. digtital radio standard. With a broadcast penetration rate still hovering at around 15 percent and listener uptake at a third of that, there’s still a long road ahead before the technology reaches any semblance of marketplace criticality. That said, HD proponents have many narrative threads in play, all of which will bear watching in the coming 12 months.
The Coattails Effect. Broadcasters have demurred investing in HD transmission technology until listeners have receivers. By and large, they still don’t, but HD proponents are hanging their hopes on two primary vectors: the car and the phone. Continue reading “HD Radio in 2015: Threads Make a Strand?”