stl – DIYmedia

Even though the FCC’s Enforcement Bureau is in the throes of a major downsizing – newly-released documents indicate the Bureau will cut 44 jobs, or more than 40% of its workforce – it’s also committed itself to do something about the proliferation of unlicensed broadcasting. That said, a before-and-after summary of personnel cuts doesn’t really show a lot of refocused muscle on the ground: for example, New York’s field office will see a net increase of one agent (from 4 to 5), while the “tiger teams” being created to backstop the field offices consist of no more than three or four.
Since pirate radio’s become a plaything of FCC Commissioner Mike O’Rielly, and the broadcast lobby is chomping at the bit for a war on pirates, I would not be surprised if the agency, working in concert with groups like the NAB and New York State Broadcasters Association, attempt to sweep at least NYC this year in some “show of force.” Whatever the rhetoric may be, paper-tiger mode remains in full effect — and there’s a lot unlicensed broadcasters can do to prepare for whatever may come, both tactically and strategically. Continue reading “Prepping for a Pirate Crackdown”

The act of broadcasting without a license is a very public thing; it is going on the air that makes it a crime, not what a pirate station does once it’s on. Because of this, a delicate game of balance has to be played by pirate radio station operators. As a pirate garners more notice from a community, the risk of having the powers-that-be notice also rises. But if nobody knows about the station, then what good can it do?
To try and prevent (or at least partially blunt) the eventual enforcement action, pirates have experimented with unique ways of “protecting” their studios. After all, transmitters are replaceable; dedicated people are not.
The easiest way to protect a studio is to separate it physically from the transmitter. Radio authorities find pirates by the signals they produce, and the place where those signals are coming from is the first place they’ll visit. If that place is not the studio, it forces enforcement agents to at least take one extra step to catch a pirate. Continue reading “Links: Separating Transmitter from Studio”