Last week I had the honor of being Radio Survivor‘s inaugural guest on their first Google Hangout. Radio Survivor’s Paul Riismandel and I have known each other for more than a decade; I was a frequent guest on his Mediageek radio show, so in many respects for me it was like traveling back in time to simpler days.
A couple of weeks ago, Radio World‘s Leslie Stimson contacted me for some thoughts on HD Radio as part of a "status report" the newspaper was working on. That turned out to be a 35-page "e-book" in which the "skeptics" and "critics" got three pages sandwiched between some "sponsored content" from iBiquity and a piece from the company’s director of broadcast sales singing the praises of the "HD Radio-On-Translator play."
While I’m glad that Radio World considers me a "responsible viewpoint" in the ongoing digital radio transition, it’s a bit unnerving to be tossed into the "haters" camp so nonchalantly. So here’s the entirety of what I wrote Stimson when she asked for comments: Continue reading “Digital Developments in Vegas”
Two weeks left to spring break in the CUNY system and everyone’s struggling to maintain their sanity on the tail-end of what has been a grueling year. So a potpourri of sorts this week: Continue reading “Book Report, etc.”
In a new blog post, iBiquity Digital Corporation Ceo Bob Struble reports back from the 2014 Consumer Electronics Show about the changing landscape of automotive infotainment, and HD Radio as an "indispensable requirement" in today’s media environment.
HD Radio has some sort of foothold in "every car manufacturer" now, "and was built into 1/3 of all new cars sold in America last year," writes Struble. But that’s not enough: "Cars are coming with big, bright color screens as part of these infotainment systems. Car designers want advanced HD Radio features like iTunes Tagging and Artist Experience – album cover art – to take advantage of those screens and provide listeners with the experience they expect." The takeaway: broadcasters need to step up HD adoption. Continue reading “Clashing Realities: iBiquity vs. Consumer Reports”
iBiquity Digital Corporation’s recent claim that HD Radio is on the way to becoming the North American digital radio standard actually has some merit. More than enough, in fact, that it’s surprising that the company didn’t announce how far along things are in Canada: as part of a wide-ranging proceeding on rules revisions to the radio sector, the Canadian Radio-television and Telecommunications Commission (CRTC) is now soliciting formal comment on the notion of adopting HD Radio.
In 2006, the CRTC announced that it was prepared to reconsider its adoption of the Eureka 147 DAB standard as Canada’s digital radio platform. Since then, broadcasters have abandoned it and the CRTC is phasing out DAB licenses.
In 2012, iBiquity made approaches to several broadcasters in Canada about becoming test-beds for HD technology. Three stations in the Toronto area accepted the call. CING-FM, an adult-contemporary station owned by Corus Entertainment—Canada’s fourth-largest commercial broadcaster—has been the primary platform for technical tests, including datacasting experiments. The other two stations, CFMS-FM and CJSA-FM, are classified as "ethnic" stations, which basically means the majority of their programming isn’t in English. Canadian Multicultural Radio, the owner of CJSA, announced just last week that it will soon roll out FM-HD multichannel programming in Tamil, Hindi, Urdu, and Punjabi. Continue reading “Canada Considers Adopting HD Radio”
As the year rolled over, a variety of news-bits came out about the state of HD Radio in the United States. Moving On: HD Radio’s now been around for a quarter-century. The initial development of the in-band, on-channel (IBOC) protocol that constitutes HD broadcasting first began as a science project under the auspices of Westinghouse in 1989. It’s been a long, strange trip since then: overpromising, underdelivering, crash-development, and finally a "workable" protocol. This process has constituted a career for some people—one of whom is now tending greener pastures. Continue reading “HD Radio in 2014: More Baby Steps—Toward What?”
HD Radio finds itself under attack in the courts from an unlikely agitator: the patent troll.
What is a patent troll? In a nutshell, they are scumbag bottom-feeders in the land of intellectual property law. Patent troll companies have no real business; they buy up existing patents and then launch campaigns of lawsuits against others that are using "their" technology, claiming that the defendants have violated "their" intellectual property rights.
The idea is to intimidate defendants into making quick settlements, avoiding a potentially costly lawsuit. Even though their claims often have no legal merit—or the patent itself is so vague as to be difficult to define—companies targeted by patent trolls will often settle just to get the nuisance out of their hair. While this might be tactically acceptable, it sets a terrible strategic legal precedent, as it gives a patent troll more courage to continue and expand their campaigns.
Legal scholars have estimated that patent trolls raked in some $29 billion from their nefarious activities in 2011. That same year, WBEZ’s This American Life produced an excellent episode that breaks down patent trolls and their modus operandi. The top five patent trolls in the country have collectively sued several thousand companies large and small over the last five years.
In the case of HD Radio, earlier this month a Delaware-based patent troll named Wyncomm, LLC, representing its "subsidiary," Delaware Radio Technologies (for all intents and purposes, both are shells established for the purposes of patent-trolling), sued several broadcasters using HD Radio. The primary patent at issue was initially awarded to AT&T in 1996 and covers "side channel communications in simultaneous voice and data transmission." The patent itself vaguely refers to telephony and wireless data services. Continue reading “HD Radio Gets Trolled”